However, even though increasingly irrelevant music megacorps fiercely secure every valuable copyright, some slip through the cracks. Read Spider Robinson's short story Melancholy Elephants, which is readily available under a Creative Commons license, to learn more about the dangers of unfettered copyright. As a result of the seemingly never-ending procession of copyright giveaways to businesses, the potential of future problems with soundalikes at the very least, and utter public scorn at the very worst, increases dramatically. Important copyright owners now have the ability to effectively hold an additional 20 years (rather than the previous 50 years) of copyright on everything still relevant from the 1960s, including everything by artists from The Beatles to the Beach Boys, and all they have to do to accomplish this is release limited edition, no-effort throwaway copyright extension compilations like this one. With the assistance of Canada's now-defunct government, the copyright on unpublished sound recordings was extended in June 2015, allowing any song that is published before the copyright expires to be protected for a period of either 100 years from the date of copyright fixation or 70 years from the date of publication, whichever is the earlier of the two dates (whichever is the first). Sound recordings, in particular, have a reputation for being difficult to understand. There are three main rights associated with a song's copyrights, which are as follows: A musical work's mechanical and synchronization rights, which include the right to use digital audio copies in connection with film and video works, as well as the right to perform the musical work in public, whether in person or by broadcast, are all protected under the law. This makes it difficult to comprehend the intellectual property rules, particularly complex in North America and Europe.

It is advantageous, for example, that each country has its territorial rights over the material nevertheless, it is disadvantageous that many works that are considered public domain in one area may be zealously protected under copyright in another one.

Since copyright law is so esoteric and confusing, it feels like you're spending most of your time reading from a wizard's spellbook.

Non copyright music